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On Giving Up Hardcover – March 26, 2024
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From acclaimed psychoanalyst Adam Phillips, a meditation on what we must give up to feel more alive.
To give up or not to give up?
The question can feel inescapable but the answer is never simple.
Giving up our supposed vices is one thing; giving up on life itself is quite another. One form of self-sacrifice feels positive, something to admire and aspire to, while the other is profoundly unsettling, if not actively undesirable.
There are always, it turns out, both good and bad sacrifices, but it is not always clear beforehand which is which. We give something up because we believe we can no longer go on as we are. In this sense, giving up is a critical moment―an attempt to make a different future.
In On Giving Up, the acclaimed psychoanalyst Adam Phillips illuminates both the gaps and the connections between the many ways of giving up and helps us to address the central question: What must we give up in order to feel more alive?
- Print length160 pages
- LanguageEnglish
- PublisherFarrar, Straus and Giroux
- Publication dateMarch 26, 2024
- Dimensions5.65 x 0.65 x 8.5 inches
- ISBN-100374614148
- ISBN-13978-0374614140
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Praise for On Giving Up by Adam Phillips
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Editorial Reviews
Review
“Phillips has rendered the term ‘giving up’ spacious and flexible, having woven together psychology and literature to reveal suggestive points of contact . . . Phillips makes an ambitious case: that giving up is as important to our psychological well-being as hope and love are . . . The best form of giving up, it seems, may just be to take up a book.”
―Sarah Moorhouse, Los Angeles Review of Books
“One of the most arresting things about Adam Phillips’s work is how it resists easy summary, dissolving into a trace memory the moment you try to describe it. . . . Phillips doesn’t try to prevent us from thinking whatever it is that we want to think; what he does is repeatedly coax us to ask if that’s what we really believe, and how we can be sure.”
―Jennifer Szalai, The New York Times (An Editors' Choice)
“Phillips continues to find inspiration in Freud―not only the provocative concepts, but the allowances for speculation in Freud’s language . . . The connectivity between his observations carries a certain charge, an impetus to be curious rather than strictly determined about and by our wants.”
―Ron Slate, On the Seawall
“If this collection marks the beginning of Phillips’ late style, we have a lot to look forward to.”
―Booklist
“A thought-provokingly cerebral meditation.”
―Kirkus Reviews
About the Author
Product details
- Publisher : Farrar, Straus and Giroux (March 26, 2024)
- Language : English
- Hardcover : 160 pages
- ISBN-10 : 0374614148
- ISBN-13 : 978-0374614140
- Item Weight : 9.3 ounces
- Dimensions : 5.65 x 0.65 x 8.5 inches
- Best Sellers Rank: #54,170 in Books (See Top 100 in Books)
- Customer Reviews:
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Our journey of self-construction is a selective process, where we continuously curate and edit our identity. This editing involves not just the inclusion of certain traits, beliefs, and experiences but also the critical exclusion of others (when we draw a distinction we exclude, with the problem being that when we draw one we are already trading on the back of incomplete information). These omissions, which can be both conscious and unconscious, are not mere absences; they are also active choices that shape the contours of our preferred self, self-narrative. They represent the aspects of our history, desires, and traits that we choose to distance ourselves from, in line with Freud's observation that people tend to have as little in common with their authentic selves as possible. This self-curation is a form of narrative construction, where we craft a version of ourselves that aligns with our desires, societal expectations, and the need for a coherent identity.
Confirmation biases play a crucial role in this narrative construction. They act as the guardians of our self-narrative, selectively filtering information and experiences to reinforce our preferred self. These biases favor perceptions and interpretations that align with our self-constructed identity, while downplaying or ignoring those that challenge it. This process creates a feedback loop, where our omissions shape our biases, and our biases, in turn, reinforce our omissions. It's a dance of self-deception and self-revelation, where we are both the architects and the prisoners of our self-concept.
This overarching narrative highlights the complexity of the human psyche. It suggests that our understanding of ourselves and the world is not a straightforward process of perceiving and responding to reality but is deeply influenced by the narratives we construct and maintain. These narratives are built as much on the foundations of what we choose not to see — our omissions — as on what we choose to acknowledge. Recognizing this dynamic invites us to a deeper level of self-awareness and understanding. It challenges us to look beyond the surface of our beliefs and perceptions, to explore the depths of what we have omitted from our self-narrative. By confronting and understanding these omissions, we can begin to uncover a more authentic and complete sense of self, moving towards a more honest and comprehensive narrative of who we are, what it is that we want, and why it is that we want it.