Philadelphia artist Kurt Vile is a songwriter of epic proportions, evolving a laid-back yet transfixing psychedelic indie rock sound over a career arc that grew from self-released CD-Rs to major-label releases. Vile takes notes from masters like Neil Young, Sonic Youth, and Dinosaur Jr., exploring inventive guitar tones on meditative and sometimes self-reflective songs that often drift at their own deliberate pace. He co-founded the War on Drugs with friend Adam Granduciel in 2005 but quit shortly after the band got off the ground to focus on his own music. He released several albums for various indie labels, finding new levels of mainstream success with 2013 album Wakin on a Pretty Daze. His blurry-eyed musings and signature songwriting style broke through to a worldwide audience and he continued working with a multitude of special guests on his own records as well as co-creating albums with Steve Gunn and Courtney Barnett. After the release of 2018's Bottle It In, Vile signed on with Verve Records for the release of his major-label debut (Watch My Moves) in 2022, and quickly delivered Back to Moon Beach the following year, an EP in name alone that compiled almost an hour of unreleased material from four years of various recording sessions.

Kurt Samuel Vile was born in Lansdowne, Pennsylvania in 1980. He was already recording himself at home by age 14, shortly after his bluegrass-loving father purchased him a banjo to encourage his youthful creativity. By age 17, Vile was self-releasing cassettes of his home recordings, which in the earliest days were strongly influenced by the raw slacker pop of the Drag City roster. He would continue to record prolifically, releasing cassettes and CD-Rs of his solo material while holding down a day job as a forklift operator.

After a brief move to Boston, Vile returned to Philadelphia in 2003 and began collaborating with singer/guitarist Adam Granduciel, and by 2005 their duo the War on Drugs was morphing from its nebulous beginnings into a fully realized band, growing to include more members, release albums, and tour to critical acclaim and larger audiences. By 2008 Vile was splitting his time between the War on Drugs and his solo material, with his album Constant Hitmaker seeing release around the same time as tWoD's breakthrough full-length Wagonwheel Blues. As tWoD's fame grew, Vile decided to leave the band, predicting that their increased profile and expansive touring schedule would ultimately waylay his solo career.

Amicably parting with the band, but often still sharing members as backup musicians for his own shows, Vile concentrated on his own thing and released a steady stream of strong and increasingly more adoringly received albums. A 2009 reissue of Constant Hitmaker on the taste-making Woodsist label got the ball rolling, and was followed shortly by God Is Saying This to You..., a collection of older tracks from CD-Rs as well as various EP releases. Childish Prodigy arrived in 2009 and marked Vile's most produced work to date. The lo-fi production and jagged drum-machine rhythms of his earlier self-released fare were replaced in part by fuzzy live instrumentation and songwriting that leaned on both his Drag City-emulating roots, the influence of Dinosaur Jr.'s guitar tone wizardry, and Bruce Springsteen's blue-collar rock sentiments. The record drew favorable press and respectable sales, and buzz grew for Vile as he continued to tour.

By 2011 he had signed to Matador for the release of his more subdued fourth full-length, Smoke Ring for My Halo. This was Vile's best-received work yet, charting on Billboard and meeting with across-the-board critical praise. Ever prolific, Vile released the So Outta Reach companion EP; appeared as a guest on his former band the War on Drugs' second album, Slave Ambient, and toured ceaselessly in the wake of his ever-growing success. His fifth album, Wakin on a Pretty Daze, appeared in 2013. Shortly after this relatively polished and well-produced release, the Jamaica Plain EP surfaced, a vinyl-only 10" release of early-2000s collaborative recordings by Vile and Sore Eros. Wakin on a Pretty Daze turned into a breakthrough for Vile, with its strong reviews and positive word of mouth helping to turn the album into a steady seller; it wound up peaking at 47 on Billboard's Top 200 and 41 in the U.K. Vile returned in the fall of 2015 with the hotly anticipated B'lieve I'm Goin Down.... That same year saw Vile and New York-based guitarist and songwriter Steve Gunn collaborate on the three-song Gunn Vile for Three Lobed Recordings' Parallelogram series. In 2017, Vile joined Courtney Barnett for the album Lotta Sea Lice. After releasing the album in October, they embarked on a brief American tour. Seventh album Bottle It In arrived in the fall of 2018, recorded at various locations in between tours and family road trips. A 2019 single, "Baby's Arms," saw Vile collaborating with the Sadies, while his 2020 track, "How Lucky," was a duet with one of his heroes, the late John Prine. "How Lucky" was expanded into the five-song EP Speed, Sound, Lonely KV, released in October 2020. In addition to the duet with Prine, the EP included another Prine cover, a Cowboy Jack Clement cover, and two new original tunes. In 2021, Vile signed on with longstanding major-label Verve Records. He prepared a new studio album (Watch My Moves) for release in 2022, comprised of songs he'd written before and during the COVID-19 pandemic when his usual routine of frequent touring wasn't an option. The album was largely self-produced and self-recorded at Vile's home studio, and in addition to 14 new original songs, (Watch My Moves) included a cover of Bruce Springsteen's 1982 studio outtake "Wages of Sin." In October 2023, Vile again joined longtime associate Courtney Barnett for the split 7" "This Time of Night" b/w "Different Now," featuring covers of songs by tour mates Chastity Belt. In November of 2023, Vile worked with Verve once more for the release of his EP Back to Moon Beach. While the project was marketed as an EP, it was much closer in length to a fully realized album or compilation release, with nearly an hour of material culled from sessions that dated back to 2019. Along with several tracks co-produced by Cate Le Bon, Back to Moon Beach included unreleased (Watch My Moves) outtakes and cover versions of Wilco's "Passenger Side" and the Bob Dylan Christmas tune "Must Be Santa," featuring additional vocals by Vile's two daughters. ~ Fred Thomas